Classics: La Perla

Certainly one of Cape Town’s longest-standing dining institutions, La Perla opened its doors in 1959. It’s the kind of place your parents probably ate at. It has gathered scrapbooks of famous diners and certain tables are known as “so-and-so’s”. But I struggle to get its mystique – at least by looking at the plate. Then again, by concentrating on the food, I think I’m looking in the wrong place. It’s all about the “face” of it here. Quite literally.

To start, there’s the fantastic position and its sea views, followed by the bold art that has always adorned the interior, and in human turn filled by the “see-and-be-seen” set since the beginning. Then there are the waiters, in their European white tunics, who put on a great show of being proper. They may in fact be the defining element of La Perla’s form of nostalgic food theatre, and some of them (fewer and fewer, it has to be said) have a decades-long tenure here. However, the feeling that there is an element of role-play was bolstered by our waiter, who smoothly enquired after our lunch order by starting with “ladies and gentlemen…” when there were only two men at the table. Continue reading “Classics: La Perla”

The World’s “Best Female Chef”

From our May 4 2018 newsletter:

Earlier this week, chef Clare Smyth (who worked with Gordon Ramsay for over a decade) was named elit Vodka‘s (in partnership with The World’s 50 Best Restaurants) “World’s Best Female Chef“, which some critics lauded as a win for Britain (Smyth being the first British chef to be recognised as such, after already being the first British female chef “to hold and retain 3 Michelin stars“), while others lamented what they saw as the condescension of having an award specifically for females (Bourdain’s tweet below, from 2013, indicates that this has been a concern for some time already):

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Considering restaurants as the “third space”

From our April 2018 newsletter:

There was an interesting piece published recently which aimed to make the case for seeing restaurants as “third spaces” (Wikipedia defines a third space as a slightly complicated “postcolonial sociolinguistic theory of identity”, but we’ll go with the simpler definition given in the article about restaurants operating as “cultural hubs” that recognise the uniqueness of everyone who works at and visits them, rather than “just” formulaic watering and feeding holes). Continue reading “Considering restaurants as the “third space””

Classics: The Radium Beerhall

As the first in an episodic series on South Africa’s great evergreens, a revisit to The Radium Beerhall on Louis Botha in Jo’burg. Established in 1929, it’s been on the scene, in the same place, for 89 years, and what makes it an essential establishment is its mostly unchanged nature. It comes from a time before today’s “restaurant design”, where almost every food and beverage spot is packaged to within an inch of the definition of what they are meant to be for their specified market. Even worse, so many establishments nowadays default to the “generic” – flytraps to catch all comers – with purposefully little obvious personality, so that no-one baulks or objects. Newer “hipster” joints are possibly the worst culprits, taking counter-culture iconography (café racers, skate) and repurposing it as cute sanitised titillation. 

The bar at Radium. Image courtesy of the Radium website.

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What does “avant-garde” mean in the dining world?

From our latest newsletter:

In the 1930s, Italian “Futurist” Filippo Tommaso Marinetti ) probably embodied that era’s version of “avant-garde” (defined as “an intelligentsia that develops new or experimental concepts” by Merriam-Webster) in the dining world, what with his controversial ideas about abolishing the tradition of eating pasta in Italy (as he’s pictured doing below). Amongst other things, he claimed that eating pasta both made people “heavy, brutish … skeptical, slow, pessimistic” and also harmed Italy’s rice industry by supporting the import of the foreign grain crucial to the production of the national staple.

Image courtesy of Estorick Collection

Almost a century later, René Redzepi of noma restaurant in Copenhagen – listed four times as top of the San Pellegrino “50 Best Restaurants in the World” list – might be Marinetti’s modern counterpart, credited with “re-inventing Nordic cuisine” and operating at the “cutting edge of gourmet cuisine, combining an unrelenting creativity and a remarkable level of craftsmanship with an inimitable and innate knowledge of the produce of his Nordic terroir”, thanks in no small part to his insistence on only using “locally sourced, seasonal produce” (no Italian olive oil on these Scandi tables!). Continue reading “What does “avant-garde” mean in the dining world?”

Taking sustainable seafood seriously

As is becoming ever-better known, we are decimating the wild fish in the ocean. It is now clear that many of the most popular eating fish, most notably including those sushi bar sacrificial “lambs”, salmon and tuna, have declined by 90% in the seas in the last few decades. The ocean does not factor for the market signals of supply and demand when humans send out factory-sized trawlers that harvest at a pace that will continue to collapse entire populations of fish.

The end of this chain of decimation is you and me, the consumer. We need to send the signal back up the line that we know what we are eating and that we choose not to eat fish that has been caught in an unsustainable manner and then put on a menu. (I am looking at Ile Maurice, inter alia.) We all need to install the SASSI (Southern African Sustainable Seafood Initiative) app on our phones or use the FishMS line (type the name of a fish and send it to 079 499 8795) to identify what is in front of us. And we need to act in supermarkets too, buying sustainable tuna for those sandwiches. Continue reading “Taking sustainable seafood seriously”

Remembering Paul Bocuse

From our January 2018 newsletter:

Legendary French chef Paul Bocuse passed away in January this year. He was known as one of the first chefs to move away from traditional French “cuisine classique” to the lighter, more modernised “nouvelle cuisine” (a term supposedly first used by a journalist to describe the meal Bocuse and others prepared for the maiden flight of the Concorde airliner in 1969). He also founded the Bocuse d’Or (often described as the culinary version of the Olympics) in 1987, which remains the most prestigious gastronomic contest in the world. (His private life famously included one wife, two long-term mistresses, and a tattoo of a rooster on his left arm.)


 More than 1500 of the world’s top chefs attended Bocuse’s funeral in Lyon (image courtesy of The Telegraph)
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Facing up to Discrimination in the Hospitality Industry

From our January 2018 newsletter:

Global concerns over the abuse of power by men over women was a sobering theme that not even the cheer of the festive season could shake. In the US restaurant business it was particularly acute, with several well-known American chefs and restaurateurs like Mario Batali (whose restaurant empire will now be headed by women) and Ken Friedman (co-owner of the acclaimed The Spotted Pig in NYC) being exposed as or accused of being complicit in creating and maintaining uncomfortable environments in the establishments they were guardians of (with Batali’s public apology stating “I take full responsibility”, bizarrely followed by a recipe for cinnamon rolls – which someone blogged about making in an entertainingly acerbic post, incidentally). Continue reading “Facing up to Discrimination in the Hospitality Industry”

Dinner Theatre

From our October 2017 newsletter:

Up close, the building sounds as if it is singing or humming.

One of the most talked about restaurant openings in the U.S. recently has been Vespertine in Culver City, Los Angeles. Self-described as “a gastronomical experiment seeking to disrupt the course of the modern restaurant”, the building it’s housed in (pictured here*) has been described by others as a “crashed spaceship”, and dining there like “eating on Jupiter”. Jonathan Gold, the Pultizer-prize winning critic for the L.A. Times summarises the experience:

It’s not dinner; it’s Gesamtkunstwerk [German for ‘total work of art’]…“Checking in with valet before dinner is required,’’ says an email sent to you before your dinner, “as this member of our team is integral to your experience.’’ You hand off your keys. You walk past a watery ditch lined with shattered rock whose cracks ooze green light. You are led to an elevator in the rust-colored steel structure, and are let off in the kitchen and a bowing Kahn. You climb stairs to an aerie at the top, settle into low couches, sip at a concoction of white vermouth garnished with a purple passion fruit flower. This is the first of many flowers you will see tonight. You will recognize none of them. … The more you eat of the turnips, the more vinegary the dish becomes, until by the end you are practically coughing at the fumes. Continue reading “Dinner Theatre”

Food festivals: the good, the bad, and the ugly

From our September 2017 newsletter:

Just as Cape Town gears up to host its very first pizza and pasta festival, it was slightly unnerving to read about a recent pizza festival in Brooklyn, New York, that left attendees feeling rightly cheated of the money they had spent on tickets (up to $69 per person), when instead of an abundance of pies (as they call them over there), they found mostly empty tents and pretty pathetic pizza offerings.

Continue reading “Food festivals: the good, the bad, and the ugly”